GIBSON: I've been brought in from the Metropolitan Police
to lead a review
into the investigation of the murder of Alice Monroe.
OLSON: There's been a shooting in a house about a mile away.
A car was stopped just along there.
GIBSON: He had things entirely under his control.
Which leads me to think that this was not his first murder.
I'm staying at the Hilton.
Room 203.
Go back to your review, Stella.
I don't want the two murders linked.
Ned Callan, Belfast Chronicle.
Can I have a word?
Not at the moment, no.
Not even off the record?
There's no such thing, as you well know.
Failure to see that crimes are linked.
It's the thing that will allow the killer to strike again.
[Screaming]
Perhaps she did go stay with her sister.
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DS James Olson.
Just after 21:50, a car was stopped
in the vicinity of the Falls Road
because it was being driven erratically.
A search revealed two concealed firearms
and a quantity of ammunition.
We have reason to believe this man, Terry McInturff,
was involved in the murder of Michael Lockwood
in the Shankill area earlier this evening.
- Empty your mouth. - Fuck you.
Empty your mouth.
Fuck you.
Spit it out. Spit it out!
Fuck!
Get back in the cell.
Come on! Come on!
Come on! Aah!
We need some assistance here!
We need to obtain all clothing and footwear.
[Whistles]
[Buzzer]
I wasn't sure if this is what you meant.
It's what I meant.
I should take a shower.
No need.
I like it.
[Water running]
Should I take your number?
[Door opens, closes]
[Siren wailing]
WOMAN: two guns seized following last night's murder
in West Belfast.
Today the Chairman of the Independent Policing Executive,
Morgan Monroe, issued this statement.
The people of Belfast will be horrified
by last night's shooting.
These attacks leave behind a trail of suffering, misery,
and hurt in their wake.
Meanwhile, the hunt for the killer of Alice Monroe
continues.
Aaron Monroe, who has been helping the police
with their inquiries,
spoke to our reporter.
We're very grateful
that the police have finally released Alice's body
to her family.
Although we were separated at the time of her death,
we both remained very close friends.
OLIVIA: [Singing]
- Hey. - Hey.
There's fresh coffee there.
Sorry, we have to go.
You look tired.
Did you have a busy night?
Quite busy, yeah.
Here, let me take this for you.
Don't worry. I'm fine. Don't fuss.
[Children laughing]
Right, grab your things, you two.
Come on, let's go.
Come on.
[Door opens]
[Door closes]
[Zippers close]
[Door opens]
Thought this might interest you.
This was last night?
I was at the hotel dining room about to eat.
Callan came in and sat down, uninvited, at my table.
I didn't see a photographer.
How did he know you were staying there?
I don't know.
BURNS: What did you say to him?
I asked him to leave.
You should have told me.
Told you what?
All meetings with journalists have to be on the record.
It wasn't a meeting.
He door-stepped me, and I said, "Go away."
There's nothing there.
What did he want with you?
He wanted to hear about the review.
He wanted to talk about the murder.
I refused to discuss either.
I have a meeting with the Independent Policing Executive
this morning.
This has done nothing to make my job easier.
Keep that.
One for the archives.
[Door opens, closes]
AARON: Where she went, who she saw, what she did
were no longer any of my business.
I can't help you with any of that.
McELROY: You know, she seemed to call you often enough.
Twice on the day she died.
Probably to bitch and moan.
McCURDY: Bitch and moan?
Definitely not to share any details of her new life.
McCURDY: She moved on.
Well, if you think getting a tattoo and dressing like a slut
is moving on, then, yeah.
McELROY: You disapproved?
AARON: Well, it wasn't something I'd have let her do
when we were together.
McCURDY: She'd need your permission
to do something like that, would she?
When you were married?
I think I'd like to leave now.
GIBSON: These are all the prescription drugs gathered
at the crime scene?
Yes, ma'am.
There's no sign of any illegal drug use
with regard to Alice Monroe?
No, ma'am, none.
Did it occur to you that Aaron Monroe was clucking
during his interviews?
At the time, no.
He was very on edge.
GIBSON: He looks like a cokehead to me.
It's worth following up with the Action Manager, I think.
[Cellphone chimes]
Thanks, Mary.
BURNS: Fewer people have been killed
or seriously injured on our roads.
The levels of sectarian crime have reduced over the last year.
We have seized more illegal drugs,
arrested more drug offenders,
and this has been delivered
despite increasing economic cutbacks
and increasing threats against our officers.
WOMAN: Bacon & Day Solicitors.
Hi. Is Sarah Kay there?
WOMAN: She's not in the office today.
Do you know why?
WOMAN: Who is this, please?
I just need to speak to her.
WOMAN: Shall I put you through to her voicemail?
No. Thanks for your help.
Kevin McSwain, solicitor representing Terry McInturff...
- Take a seat, sir. - And Jonas Dillon.
Why was their car stopped?
It was being driven erratically close to the scene of a crime.
KEVIN: Do you have witness statements to that effect?
We do.
I should like copies of those witness statements.
Okay.
KEVIN: I also want a written list
of every question that you intend to ask.
OLSON: What?
So you and your clients can cook up some crazy cover story?
Get real.
I understand that you forcibly removed chewing gum
from my client Terry McInturff.
For his own safety.
I was worried he might choke.
Well, it was, in fact, nicotine gum as prescribed by his G.P.
So he is in entitled to a supply whilst he's in custody
just as he would be any other prescription drug,
and you're in breach of custody regulations by withholding it.
So make a complaint.
I intend to.
The Lockwood house was heavily fortified.
Two of the three men arrested were known to the police.
MORGAN: So there's no indication
that dissident Republicans were involved in the murder?
None whatsoever.
This was a cold-blooded killing
which we are, at present, treating as drugs related.
This is the location of the shooting.
This is where the car you were traveling in was stopped.
Explain to me where you'd been
and tell me where you were going.
After advice, my client will not be answering any questions.
Let him answer that for himself.
I've told you, after advice...
Then let him answer that for himself!
Do you know this man?
Michael Lockwood?
My client will not be answering any questions.
OLSON: Look at the photographs, please.
As you very well know,
showing gruesome photographs to suspects
is considered a violation of their human rights.
OLSON: Four shots in the back.
In front of his wife, his son.
It was very brave.
Very bold.
You had two handguns with you.
Why?
Because you had a premeditated plan to kill Michael Lockwood,
didn't you?
If he could be enticed from his house by Rory McNaught.
After advice, my client will not be answering any questions.
Michael Lockwood was well known to us, Terry.
What happened between you two?
Did a drug deal go bad?
Dispute over turf?
After advice, my client will not be answering any questions.
Don't give me that look, Terry.
That bullshit only works on intelligent people.
BREEDLOVE: You took your phone with you, Terry.
Cell Tower Triangulation puts you precisely here
at the time of the shooting.
What a dazzling display of stupidity.
I know where you live.
Like I've never heard that before?
I am assured by the officer in question
that the journalist simply approached her
in the dining room of her hotel, uninvited.
She refused to discuss her presence in Belfast
and refused to answer any questions
about her involvement in the Alice Monroe review.
He left empty-handed.
We're going to see Auntie Sarah.
Yes, we are.
[Doorbell rings]
[Baby cooing]
Sarah!
Sarah?
It's past 2:00.
I've been calling you.
Sarah?
[Gasping]
[Baby crying]
What's your name, caller?
MARION: I'm Marion.
I'm Samantha.
Is that your baby, Marion?
MARION: Yes.
Is he all right?
MARION: It's a girl.
Yes. It's not the baby. It's my sister.
What about her, Marion?
MARION: She won't wake up. She won't wake up.
Where are you calling from?
MARION: Her house.
And the number you called on,
that's the house telephone, is it?
- MARION: Yes. - Good.
Help is already on its way.
Are you with your sister now, Marion?
MARION: I'm in the hall.
Where is your sister?
MARION: She's in the bedroom. Please help me.
Help is already on its way.
It's going to be there very soon.
Any call sign near 3 Saville Road.
Bravo, Tango 6, 7, Echo Delta, come in.
Oh, Jesus.
WOMAN: Ambulance control have had a report
of a body of a female at that location.
[Siren wailing]
Uniform from Alpha Papa 2-1.
We are five minutes away and will respond.
[Siren wailing]
I can hear the siren, Marion.
MARION: Yes.
Can you see them?
Marion, can you see them yet?
MARION: No.
They're right there, Marion. Can you see them?
MARION: [Crying]
STONE: It's okay, madam. Come with me.
MARION: Yes, they're here.
Okay, Marion, they'll take care of you now.
You can put the phone down.
STONE: Come with me, please.
[Dial tone]
Hello, police. How can I help you?
That's it, ma'am. This way.
Uniform from Alpha Papa 9.
WOMAN: Go ahead.
I'm in the upstairs front bedroom.
No sign of any intruder.
WOMAN: Understood.
There's a dead female.
It looks suspicious.
[Police radio chatter, siren wailing]
Is it clear to go in?
There's nothing you can do.
MARTIN: Stone, let's get the outer cordon into place, okay?
I need it as wide as possible. Use that wall. Use that fence.
Block off the road in both directions.
Good lad.
You make sure nobody gets in the house.
Keep those people back, okay?
You all right?
What are you doing here?
I couldn't get you on the phone.
I called your office.
Everything is laid on for tonight.
I want you to cancel.
What?
There's too much going on.
Too much attention focused on you.
Yeah. I thought you were dealing with that.
I am, but you need to play your part.
Your ex-wife has been murdered.
There's a funeral to get through.
Here you are lounging on the car
like you hadn't a care in the world.
People expect you to say the right things,
show the right degree of remorse.
Dad, it's too late to cancel tonight.
Our guests are expecting to be entertained.
They're expecting a party.
Just throw that away and get in the car.
I backed you in there, Jim,
on the understanding you would clear my son's name.
I know, Morgan.
Well, make that announcement.
Today.
[Cellphone rings]
Burns.
What?
Garrett, is your car here?
There's been another murder.
[Ringing]
I think my daughter is here. Mitchell.
I think they brought her up here.
I'll be with you in a wee second.
Do you want to just take a seat?
Where did I do wrong?
Paul?
Were you sleeping?
Yes.
SALLY ANN: Don't forget this afternoon.
What?
SALLY ANN: 4:00.
Oh, yeah.
Okay.
SALLY ANN: I'm sorry. Just one minute.
Hello?
SALLY ANN: I have to be back here at 9:00.
Okay.
SALLY ANN: I have to go.
[Click]
Who were the first attending officers?
We were, ma'am.
- GIBSON: Did you go inside? - Ferrington did.
Ferrington.
You've been in?
Yes, ma'am.
GIBSON: Tell me.
Suspected homicide.
White professional female in her 30s?
Yes, ma'am.
Strangulation marks?
I think so.
Where is the body located?
FERRINGTON: In the upstairs front bedroom.
Where in the bedroom?
On the bed.
Covered or uncovered?
Partly covered, I think.
GIBSON: Thank you.
She was a solicitor.
What?
Was she known to you?
Yes, ma'am.
[Beeping]
She's not in any pain.
She's getting help breathing.
And we'll do an X-ray of her chest
and an echocardiogram of her heart.
We'll need to do some blood tests for infection.
Can I touch her?
Jim. It's Stella Gibson.
BURNS: I can see you.
Let her in.
I have real worries it's the same guy.
How on earth can you say that when no one's been in yet?
Two uniformed officers attended a break-in on Friday evening
at the same property.
A female solicitor, living alone,
came home to find there'd been an intruder.
Who'd left some items of underwear and her vibrator
on her bed.
What?
Same officers attended today.
The victim's name is Sarah Kay.
Strangled, posed.
It has to be the same guy.
Oh, I'm sorry, but was she not advised to vacate the property
while the investigations were going on?
There were no investigations.
The victim herself decided not to pursue it.
Make me SIO.
I have the rank.
I have the experience,
I'm here, and I could be made available.
This is the third murder in three months, Jim.
If we don't stop him, he will kill again.
Okay?
I'm sorry, madam.
I would like to ask you a few questions.
GIBSON: I'm Detective Superintendent Gibson.
I'm acting SIO here.
Sheldon Schwartz, Crime Scene Manager.
GIBSON: Who's been in so far?
SCHWARTZ: The Force Medical Officer is in there now.
I want it videoed, sketched, and photographed
before anybody else goes in.
SCHWARTZ: Yes, ma'am.
Who found her?
SCHWARTZ: Her sister made the initial call.
GIBSON: What's her name?
SCHWARTZ: Marion.
GIBSON: We need to get her clothing
before there's any more cross-contamination.
Handle it sensitively.
Right.
Is the house-to-house underway?
MARTIN: Yes, ma'am.
[Helicopter blades whirring]
The schematic stage of drawing generally occurs at this age...
7 to 9.
They start drawing what they're thinking
rather than just what they see.
When I asked Olivia what she had drawn,
she told me it was a princess
who had stabbed herself and died.
She hasn't been sleeping very well.
WOMAN: She looks tired.
SALLY ANN: Well, Paul's work is with bereaved people, of course.
And my work has its ups and downs,
but we're always very careful
what we say in front of the kids.
WOMAN: Perhaps she intuited something.
Perhaps.
SCHWARTZ: That's Professor Reed Smith.
She's the pathologist.
Ask her to join us at the command vehicle.
Hi.
How you doing?
Perhaps you can do me a favor.
Collect some things from my hotel room.
Okay, make a list.
Thank you for calling us in.
We really appreciate your concern for Olivia.
OLIVIA: Daddy!
SPECTOR: Hey.
I didn't know you were here.
I'm not here.
Yes, you are, Daddy. I can see you.
Under floorboards, in the loft, behind bath panels,
inside water cisterns.
Check every rubbish and dust bin.
Check for lifestyle indicators...
Drugs, sexual fetishes, magazines.
Anything unusual or significant.
Access will be tightly controlled,
so everybody in oversuits, gloves, masks, overshoes.
Stepping plates where applicable.
Please, everyone. Everyone, listen.
No discussion relating this crime
to any other recent murder.
Keep your thoughts to yourselves.
SMITH: From the body temperature and the degree of rigor mortis,
I'd say the postmortem interval is 12 to 14 hours.
GIBSON: Cause of death?
SMITH: Asphyxiation.
Ligature.
GIBSON: Her nails look newly painted.
SMITH: Yes, they do.
[Squeaking]
[Clattering]
[Toilet flushes]
SMITH: Victims of strangulation
often urinate and defecate at the point of death.
GIBSON: Yes.
SMITH: I'd expect more mess.
GIBSON: He washed her.
He washed her, and he dried her.
He washed and dried the bedding, too.
And then he put her back to bed.
OLIVIA: What is it, Mummy?
What happened?
There's been an accident, I think.
Is someone dead?
SALLY ANN: I don't know, darling.
GIBSON: How long was he with her after he killed her?
Must have been hours.
Do you think her hair's been clipped?
SMITH: Where?
GIBSON: There.
MARION: [Crying]
BREEDLOVE: Firearm residue found on the hands and clothes
of McInturff and Dillon.
Fibers from McInturff's jacket pocket
match those found on the Glock 17.
Bullets retrieved from the body of the victim
match the ammunition found in Rory McNaught's car.
The man from the PPS, he say yes.
What to?
Yes, sir, I will.
Dillon and McInturff fit the murder.
McNaught as an accessory.
Here. Break the news to McSwine.
McSwain.
A copy of the initial lab report.
And you were worrying about nicotine gum?
Are you okay?
One of my friends has been killed.
An accident?
No, not a... not an accident.
FERRINGTON: I got your things, ma'am.
Oh, right, thank you.
I've been thinking. I should report myself.
We should never have left her alone that night.
We failed her utterly.
And report your partner as well?
You have reported it.
To me.
Let me think about it.
We can decide what action to take tomorrow.
Yes, ma'am.
GIBSON: I'm Detective Superintendent Gibson.
I'm leading this inquiry.
Can I ask you something?
Of course.
Did you happen to notice your sister's nails?
No.
They look freshly painted.
There's not much in the way of nail varnish in the house.
She hardly ever wore it.
Red nail varnish?
Not since she was 16 maybe.
I'm very sorry for your loss.
WOMAN: Police have launched an investigation
into a suspicious death at an address in South Belfast.
Detectives have yet to release details...
- Paul? - Of the victim's identity,
but have confirmed that a postmortem examination...
Paul.
WOMAN: is due to take place later today.
This discovery comes just weeks after the...
Thanks.
What are you doing here?
How did you get through the cordon?
I'm a police officer, remember.
But not part of this investigation.
Why did you give me your number
if you don't want to see me again?
It was a mistake.
I thought I was good at reading people.
I'm sorry. It seems I read you wrong.
DS Olson, signing out.
Jimmy!
What were you doing in there?
Delivering a message.
To Detective Superintendent Gibson?
Are you charging McInturff and Co?
No comment.
Fine. But tell your boss from me
to stop saying the shooting is drugs related.
Why?
Do you know something different?
CALLAN: Who's dead in there?
Do you know something different?
Maybe.
All I know is white female, early 30s.
A solicitor at Bacon & Day.
Your turn.
- Is that all right for you? - Yeah.
- Is that all right? - Yeah.
Good.
I got you something.
Because your teacher said
you were trying really hard at school.
Come here. Put it on.
Thank you, Daddy.
Okay.
[Doorbell rings]
SALLY ANN: Katie.
Paul said I could download some music from his computer.
If it's not a good time, I could...
SALLY ANN: I'm just about to go to work.
Oh, okay.
SALLY ANN: Do you not have an umbrella or something?
No.
SALLY ANN: Jesus, come in.
Until it eases off at least.
[Cellphone rings]
Jimmy.
OLSON: I ran into Ned Callan. He had quite a story to tell.
- [Knock on door] - I'm working.
- OLSON: Aye, sorry. - Give me five minutes.
Come in, gentlemen.
Good evening. Good to see you.
Take a seat.
[Knock on door]
Mr. Rossmeisl and Mr. Lang are here.
[Laughs] Roger.
Artur.
How good to see you.
Now sit down. Relax.
I'd like you to meet the girls of Monroe Air.
[Speaking native language]
[Liquid pouring, laughter]
WOMAN: Thank you very much.
Is that for her?
She's 15.
She's underage.
Don't let her stay too long.
[Drawers opening and closing]
Thanks.
[Cellphone rings]
BREEDLOVE: Hi, it's Rob. What's the story?
Not crime-related at all.
BREEDLOVE: Right.
Nothing to do with drugs.
BREEDLOVE: Okay.
Apparently, Michael Lockwood's been fucking
Terry McInturff's wife.
BREEDLOVE: You're joking?
For the past seven years.
BREEDLOVE: No.
He's probably the father of Terry's kids.
BREEDLOVE: [Laughing]
Mclnturff just recently found out.
BREEDLOVE: That's beautiful.
His anger knew no bounds.
BREEDLOVE: Shit, I've got to go. Talk later.
Okay.
RAURI: Daddy!
Daddy, Daddy!
Daddy!
[Dog barking, car alarm blaring]
[Footsteps approaching]
Thank you.
She has a high level of chorionic gonadotropin
in her blood.
What's that?
I'm thinking she was pregnant.
Oh, Jesus.
I mean, she's not really showing,
so it might be very early stages.
Do you have kids?
No. You?
Two girls.
She's ready when you are.
You may see what looks like bruising on her face.
It's not bruising.
It's just something that happens when the heart stops.
Are you ready?
[Inhales sharply]
Is this the body of your daughter, Sarah Kay?
My baby.
My little baby.
Everything's going to be okay. Mummy's here.
IAN: Can I touch her?
Yes, of course.
[Music playing]
KATIE: I bet you sit in here playing air guitar.
Wishing you were black.
Dancing all alone.
I was only joking.
Ow, God, you're strong.
And you're a thief.
[Music stops]
Give it back.
What?
SPECTOR: You know what.
KATIE: What are you doing?
[Pounding]
Get off of me!
[Crying]
You're hurting me.
[Drawer opens]
[Drawer closes]
I wasn't going to take it.
You had taken it.
I wasn't going to keep it.
I was just going to ask about it.
Ask what?
Fuck you.
You hurt my wrist.
Ask what?
Nothing.
It's my mother's hair.
It's all I have of her.
It smells fresh.
I wash it sometimes.
I'm sorry I hurt you.
What can I do to make it up to you?
Kiss it better.
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